At its worst - allowing for some deviations from perfection - it’ll still look like the best damn DVD you’ve ever seen. With careful processing and good upscaling, it’s possible to give Deep Space Nine a clarity that I think approaches that of what’s typically referred to as “HD” content, though it’s still limited to the NTSC color gamut as opposed to later standards like Rec. If you want the best version of Deep Space Nine, invest in the DVD set as a baseline for this effort. Every time I compare an upscale based on the old MKV files I’d created years ago against the benefit of going back to the DVD, the DVD wins.
This image benefits from a side-by-side comparison to the other at maximum resolution. Better processing might clean up the model a bit differently, but some of the features on the hull are slightly different shapes. This is one place where I’m obviously getting help from a tweaked AI upscaler model. If either of these methods proves insufficient to deal with an episode, we’ll come up with a custom way of handling it and I’ll wind up writing something about it and/or updating this article to keep track of special cases. Rio Grande should work - but if it doesn’t, Orinoco will. While it matches Rio Grande on quality, it packs 2.5x the frames and takes 2.5x as long to process and upscale. Orinoco preserves motion correctly in all scenes and is included here as an insurance policy.
I have also achieved an identical-quality 59.94 fps conversion, codenamed Orinoco. While Rio Grande is capable of throwing errors - I have included an example of such - there’s an alternative if it tangles up an episode in a way you don’t want to tolerate. Special thanks to Cyril Niderprim, who found the hilariously simple solution below, and a pox on the small mountain of more complicated scripts I’d written. While I have not yet checked the method against the entire show, it worked well on test episodes from S2, S4, S5, and S6. I have created a 23.976 progressive version of Deep Space Nine, codenamed Rio Grande. I’ll be demonstrating the results all throughout this article. Nine months later, I’ve accomplished what I set out to do: Create a method of remastering and upscaling Deep Space Nine that didn’t rely on hand-combing episodes to fine-tune deinterlacing algorithms while compromising on image quality to the smallest extent reasonably possible. After I saw how much improvement could be wrung out of some old MKVs, I decided I’d start over, using the original, superior, Deep Space Nine DVD source.
#Yadif avisynth software#
I’ve been working to remaster Deep Space Nine for the past nine months, ever since AI-based video upscaling software began to hit the market. Most stories don’t begin at the ending, but that’s the only place to start this one. Or use a physical file instead of "live" avfs. You can use other filters for edeint, but some are even slower like EEDI3. It's used for interpolation instead of yadif's own algorithm. The external NNEDI3 is for fixing those artifact areas. Yadifmod(order=1, mode=1) it is the same as yadif. In general, you cannot have high quality and speed ( unless it's GPU KTGMC, with a fast Nvidia GPU) You have to decide where you want to make tradeoffs. All fast deinterlacers will have those types of artifacts. Yadif is known for these - deinterlacing artifacts, or "marching ants".
I wonder yadifmod does do a deinterlace without without recourse to an external plugin like NNEDI? or is there another deinterlacer that is not so heavy like NNEDI that do a deinterlace of yadif quality? Code: LeakKernelBob(order=1,threshold=10,sharp=true,twoway=true,map=false) not bad but not the same quality of yadif.
0 kommentar(er)
